Uses of Archetype, Foreshadow, and Symbolism in One Hundred Years of So

Uses of Archetype, Foreshadow, and Symbolism in One deoxycytidine monophosphate Years of Solitude   Throughout all locks of world literature, trusted exits will have special significance to the plot progression of that novel. This discover passage must provide insight upon the overall theme of that work through characterization, symbolism, and imagery. In Gabriel García Márquezs novel One atomic number 6 Years of Solitude, the passage selected for commentary uses the literary techniques of archetype, foreshadow, and symbolism to inform characterization. The pattern of consanguineous love affairs is also reinforced in this passage along with the idea of the necessity of outside influence on a family. These concepts inform the characterization of all of the characters presented and provides insight on the cyclic nature of the Buendía family history.             From the line of descent of the passage, Garc&iacut ea Márquez demonstrates that outside influences are beginning to impact the Buendía family lineage. The newborn son of Aureliano Segundo by Fernanda del Carpio, José Arcadio, is described as having no mark of a Buendía. This shows the familys shift from repeated love affairs involving family members, such as that of the first José Arcadio and Rebeca. Also, the newborns lack of a mark eludes to Fernandas gaining top executive within the family no mark of the traditional Buendía, Úrsula, is to be found. This idea is still suggested when Fernanda does not hesitate in naming him José Arcadio, despite Úrsulas doubts. This shows Úrsulas ability, having been the supreme matron of the Buendía family over... ...ir respective names and dressed them in different colored wear marked with each ones initials, but when they began to go to school they decided to supplant clothing and wristbands and call each other by opposite n ames. The teacher, Melchor Escalona, employ to knowing José Arcadio Segundo by his green shirt, went out of his mind when he detect the latter was wearing Aureliano Segundos bracelet and that the other one said, nevertheless, that his name was Aureliano Segundo in spite of the fact that he was wearing the white shirt and the bracelet with José Arcadio Segundos name. From then on he was never sure who was who. Even when they grew up and life make them different, Úrsula still wondered if they themselves might not have made a mistake in some moment of their intricate patch of confusion and had become changed forever.