Essay examples --

Eric Vaughn BiberProfessor bloody shame Dudy BjorkEnglish 421Essay 2May 1, 2008The Miracle of Poetry.Such unnatural tendencies film an intimate relation to genius, and what we call genius is, exactly, the awareness, and expression, of planes, or dimensions, beyond the biologic and the temporal. That is why Shakespeares Sonnets are so deeply concerned with the problems of epoch, final stage and eternity (Knight, 69-70). Maybe Shakespeare knew that true literary genius existed in the teaching of the relationship man has with death and certainty, so he pointed his writing in this direction for literary immortality. Maybe yet he was simply interest with death in general, and his genius shined through in his writing. Regard little of his motives, it is gather in that Shakespeare was at some level fascinated with time and its overwhelming pestilential agencys. This fascination was evident in al just about all of Shakespeares works, only most notably in his Sonnets. Not only did S hakespeare realize the treat of life, but he found a way to overcome the populations inevit index with poetry. Although most of Shakespeares Sonnets are dedicated to a certain young youth, this dedication is only a front to give tongue to on one of Shakespeares greatest concerns the certainty of time and death. With the mapping of the written word, Shakespeare found a way to overcome the power of time and immortalize all that he loved, whomever and whatever that may be, inside the power of his ink.When examining the presence of time and certainty in Shakespeares Sonnets, the best institutionalize to begin is with Sonnet 18. This is by far one of Shakespeares most famous Sonnets, and probably his most misunderstood by the common reader. though this Sonnet seems to be a simple love poem on the... ... considered the first of the procreation Sonnets directed to the fair young youth, a deeper confront at Sonnet 1 reveals evidence of Shakespeares uncanny ability to understand the n ature of the universe.From fairest creatures we desire increase,That thereby beautys rose top executive neer die,But as the riper should by time decease,His tender heir might bear his memory (1.1-4)The rose embodies only the perfect moment that intervenes in the midst of fulfillment and decay. Describing it, Shakespeare makes no attempt to speak in a biographical sound, or that of a dramatically defined persona. It is simply we who speak, as the voice of a consensus, and our desire for preserving the flowers beauty is no less natural than its coming decline. Such a confluence, using we to unite temporarily speaker, reader, and the ordinary world, has a justification of its own (Weiser, 3).