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Friday, November 9, 2012

Othello on Love and Hate a Loser

In short, the world created by Shakespe atomic number 18 is a human one, where king and commoner are inclined(predicate) to the same emotions, habits, and behaviors. Thus it is with Othello. He is so unused to the ship canal of manage, despite being a master on the battlefield, that he is brought to his tragic end by his inexperience with love and the abuse of those around him.

Certain aspects of hate pervade Othello, despite Othello's unfeigned love for Desdemona and hers for him. One of these sources of evil stems from a certain leg of prejudice and racism in the play. Othello is a great achievement on the battlefield and enjoys great respect from Venice for his service as a general. Despite being the epitome of the successful warrior, Othello is a black Moor. His public render is one of great self-respect and nobility. However, Iago tries to incite Brabantio against Othello by, among other things, making a racial elongation to Othello when he wakes Brabantio, "Brabantio! Thieves! Thieves! Thieves! Look to your house, your daughter, and your bags! Thieves! Thieves!...Even now, now, very now, an old black storm/Is tupping your white Ewe" (Shakespeare I.i.79-81; 89-90). Iago hates Othello enough that he underscores his race difference to Desdemona's tyro to inspire him to anger.

Because of his race, Othello is considered an outsider. He is primarily seen as a raging foreigner because of his military experience and his race. This makes him fairl


y awkward and uncomfortable when it comes to knowing almost the delicacies of love. Othello real loves Desdemona as does she him, only if Iago's hatred of Othello motivates him to attack Othello's weak spot. respect is Othello's Achilles heel, so-to-speak, in that he could non be brought down on the battlefield but his inexperience in the bedroom brings him down. Iago's hatred of Othello is quite obvious in one scene, where through the to the highest degree vile imagery he preys upon Othello's insecurities of love.
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Iago feels like he has been betrayed and do a fool of by the time Iago plants in his point a graphic image of Desdemona with another man, "Were they are set as goats, as hot as monkeys, As sodium chloride wolves in pride, and fools as gross, As ignorance made drunk" (Shakespeare III.iii.405-407).

It is not just hatred that helps bring about Othello's fall. It is also love. This is because he is so inept in the ways of love and he so loves Desdemona that he cannot stand the suasion of her being unfaithful. He is used to mighty battles when he is wronged. His lack of experience with love makes him susceptible to Iago's treachery but also to his own insecurities and fears about love. Othello's great public respect makes him horrified at the image of playing the fool. Therefore, even though he loves Desdemona with all her heart, his instincts are trained for battle not love. He cannot bear the thought of public humiliation or that of Desdemona being unfaithful. Before he takes his own life, he admits he has been foolish when it comes to love, "Then you moldiness speak Of one that loved not wisely but too well; Of one not easily avaricious but, being wrought, Perplexed in the extreme;?threw a astragal away" (Shakespeare V.ii.345-350).

Bloom, H. (1999). Shakespeare: The Invention of the Human. New York, NY: Riverhead Books.

Othello becomes tortured over his assurance of Desdemona's guilt. S
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