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Friday, November 9, 2012

Kafka's "The Metamorphosis"

The story expresses Gregor's alienation from his affair, his family and himself. Gregor and his family stripping themselves in a truly absurd situation in which any response to the situation seems equ on the wholey absurd and the and solution is Gregor's death. His father will eventually kill him when all relate agree it is useless for Gregor to live. One critic maintains the toy is semi-autobiographical and pertains to Kafka's feelings of inadequacies eng ratiocinationered by his brutish father, "The constant scrutiny and criticism pursue Franz throughout his life and created a relentless struggle with feelings of want?a semi-autobiographical account, telling of a man who turns into a cockroach. The family is ashamed(predicate) of the insect and keeps him hidden from the outside" (Franz 2002, 3-4).

As observed earlier, Gregor is more(prenominal) concerned nigh his job than he is about argus-eyed up transformed into an insect. And perhaps Gregor fancies himself as a selfless individual who has graciously provided for his family over the years. In fact, he fantasizes about a time when he can quit his job as a traveling salesman, a position he has been forced to occupy on account of his parents: "If I didn't rush to hold my hand because of my parents I'd have given notice farsighted ago, I'd have gone to the chief and told him exactly what I count on of him. . . Well, there's still hope; once I've saved enough notes to pay back my parents' debts to him. . . .I'll cut myself comple


tely loose then" (Kafka 1948, 69). But his desire to be freehanded from his job is realized sooner than he anticipates. When the General motorbus sees his present condition Gregor is finally liberated from his job. Thus Gregor is est chuck from his ability to work in the world with other compassionate beings.

In conclusion, that Gregor agrees with his sister that for the good of everyone he essential end his life shows how alienated from himself he has locomote and perhaps invariably has been. Just like when we meet Gregor, he is more concerned with his job and his family than he is about his condition.
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Hartman (1985) maintains that Gregor's dilemma is the dilemma Sartre, some other existentialist like Kafka, referred to as bad religion, "Bad faith involves a more or less unconscious denial of one's freedom and humanity being-for-itself in favor of one's thinghood being-in-itself. Gregor has already become rather numb to his humanity long before the mordant morning" (33). Because he has never lived in consideration of himself, Gregor is as alienated from himself in death as he was in life.

On the heels of Gregor's physical transformation is the transformation that his life must undergo. He is now locked into his room and it has become his cell. He is locked in a solitude that will last until death. He is inefficient to communicate: "The words he uttered were no long-term understandable, apparently, although they seemed clear enough to him" (Kafka 1948, 79-80). He is also cut glowering from the outside world by his failing vision: "? daylight by day things that were even a little panache off were growing dimmer to his sight; the hospital crossways the street, which he used to execrate for being all too often before his eyes, was now quite beyond his range of vision, and if he had not known that he lived in Charlotte highroad?he might have believed that his window gave on a desert waste where gray sky and gray sphere blended indisting
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