Brief Analysis on Pieces of Fiction

the Nazarene, the teller of the fabrications, was telling them to Jews who proverb religion in terms of strict laws. The idea of the parable of the spendthrift son was to show how Jesus interpreted the Jewish laws of the time.

The novel of the prodigal son is actually about an one-on-one who lives a selfish deportment and then returns to the ghost bid path. Jesus is telling his audience that God the Father accepts sinners who return to the fold. In fact, Jesus is saying that God loves sinners who return to the fold take down more than people who never stray from the fold. One of the prodigal son's brother's complains to his father that the other son should not impart been taken back in by the father. The father says, "Son, thou fraud ever with me, and all that I construct is thine. It was meet that we should gull merry, and be glad: for this thy brother was dead, and is alive over again: and was lost, and is arrange" (Luke 15). Such a spiritual message must have been a shock to the audience which thought that strictly obeying the spiritual law at all times was the only guidance to be saved.

The parable of the good Samaritan is also addressed to those in his Jewish audience who saw themselves as separate and passe-partout to others. The parable is meant to show how one's neighbor is not necessarily a member of one's own religion or race, but or else is somebody who will help one when one is in trouble.

This was another message which was a

Hemingway, Ernest. "A Clean, Well-Lighted Place." 417-422.

Franz Kafka's story "In the Penal Colony" was write in the early years of the 20th century when industrialization and other social, economic and political forces were taking away the kickdoms of the individual. The story includes a long description of a torture thingumabob which is a product of industrialization. The torture device is made to be as impersonal as possible.

It is meant to be a figure of technology as it destroys the humanity of the individual: "On this cotton wool the condemned man is laid, face down, quite naked, of course; present are the straps for the hands, here for the feet, and here for the neck, to bind him fast" (Kafka 143). The captive is first turned into an animal: "The condemned man looked so like a submissive dog that one might have thought he could be left to run free on the surrounding hills and would only need to be whistled for when the death penalty was due to begin" (Kafka 140). all told of this is symbolic of the main shank of Kafka's---the individual human being destroyed by the forces of machines, industry, and Brobdingnagian impersonal institutions. It was a theme which Kafka repeated again and again as he tried to come to grips with the dehumanizing forces of his own time.

All of these pieces of fiction, including the two parables, can be seen as documents or chronicles of the item times in which they were written. They present particular events, philosophies and ways of life which are closely tied to the time and place in which they were written.

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