Discrimination and the Arts Essay

1. W.E.B Du Bois makes a strong and persuasive argument about double consciousness and racial struggle in America. ANSWER THIS QUESTION Do you agree that artificeistic creationworkbroadly definedcan be an antidote or a form of resistance against certain kinds of discrimination? 2. Take a arrange on this issue by first exploring at least iii of our course texts, starting with Du Bois and leading through several of our separate readings (Martin Luther King, Alice Walker, ships bell hooks, or any of the former(a) writers weve read in this unit or the previous unit on disability).IN OTHER WORDS, you essential employ Du Bois and at least two other authors in pagan Conversations. Is there, for example, an art to the practice of nonviolence such as King describes, or to the do of language reasoned in Linton and Slackjaw? 3. Ultimately, your exploration of these connected ideas should lead to a top position of your own, and you must demonstrate in this stem that you can combine a number of differing ideas in the pursuit of your own argument. We will discuss strategies to do so in class.4. Provide an example from contemporary culture of people resisting (or not resisting) discrimination. Use this example to demonstrate your position on art as resistance. Consider questions such as would art exhaust helped the less empowered people fight back? Did art diddle a part in the arguments against discrimination? In what ways does art address discrimination in your example? You whitethorn utilise scratch or web sources for this example as long as you muniment these carefully. In addition, you must define what you mean by art in order to construct a strong argument. 5. Include in your paper an acknowledgement and rebuttal of an opposing or counter-argument.This section of your paper may be short, but it is a vital aspect of your paper, so slangt go out to include it. IN OTHER WORDS, give the other side of your answer to the top question about art as an effect ive form of resistance and hence argue against it. If you answer yes, then say how people could argue no and argue against them. 6. You will occupy to use at least five sources for this paper THREE from Cultural Conversations (Du Bois plus two others) and TWO related to your example (they can be nonscholarly).7. GRADING BASED ON forming a thesis, showing originality, constructing and organizing your argument, using textual evidence, showing you understand the main themes of the course/unit, meeting stylistic and grammatic standards, and finding and using sources. 8. Use MLA format and citation style. Also use 1 inch margins and Times New Roman or mistakable font. No cover page please. Number your pages and include a nous with your name and my name on it. Staple your paper. Dont forget a title. Proofread.W.E.B. Du Bois Marcus Garvey Booker T. WashingtonLangston Hughes Anna Julia Cooper Frances E.W. Harper Anonymous lectorLifting the Veil of Ignorance, B.T. Washington Memorial at Tuskegee UniversityFrom Ralph Ellisons Invisible objet dart (1952)Then in my minds eye I get a line the bronze statue of the college Founder, the cold Father symbol, his hands outstretched in the exciting gesture of lifting a veil that flutters in hard, metallic folds above the human face of a kneeling slave and I am standing puzzled, inefficient to decide whether the veil is really being lifted, or lowered more than firmly in place whether I am witnessing a divine revelation or a more efficient blinding.Bob MarleyRedemption margin callEmancipate yourself from mental slaveryNone but ourselves can remedy our minds.Langston HughesI, Too, Sing AmericaFrances E.W. HarperThe Burdens of AllFrom W.E.B. Du Bois Criteria of Negro Art foliate 160 The apostle of beauty thus becomes the apostle of truth and right not by choice but by inner and outer compulsion. Free he is but his freedom is ever bounded by truth and legal expert and slavery only dogs him when he is denied the right to tell the truth or recognize an ideal of justice Thus, all art is propaganda and ever must be, despite the wailing of the purists I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.