Manipulation in Oscar Wildes The Picture of Dorian Gray Essay

Manipulation in Oscar Wildes The jut out of Dorian colourize I do not think that one individual kneads another, nor do I think there is any bad influence in the world, Oscar Wilde uttered when under trial (Hyde 353). Although this statement whitethorn be true, one of Wildes most famous works shows a great consider of the effects of people shaping one another, causing one to oppugn about Wildes sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence obvious functions such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are to a greater extent often overlooked such as the more subtle manipulation of Dorian over Basil, of Dorian over Lord Henry, and in the fundamental inter goion between Dorian and his portrait. Wilde demonstrates the many possible impacts made in these two categories, proving that there is more to a relationship than an o utside viewer may perceive, and eventually leading the reader to the unavoidable morbid ending of the book, in which the characters meet their own pathetic ends, with Dorian Gray committing what could be considered a ghastly suicide. Taking into account Wilde?s own life of polemic relationships, this book is especially poignant in its autobiographical suggestions. Dorian Gray is first described as a nave and attractive juvenility boy, with a striking resemblance to Adonis, having the physical description of a Hellenic god. The beauty and innocence of youth cause him to be quite attractive, and the concomitant that he is unaware of the power of this beauty is even more appealing. Dorian?s beauty is the source of Basil Hallward?s obsession, which peaks in the act of Hallward painting Do... ...rinceton University Press, 1967. Twentieth Century Criticism, Volume 41. Pages 353-60. Shewan, Rodney. Oscar Wilde Art and Egotism. The Macmillan Press Ltd, 1977. Excerpted in Twentieth Cent ury Criticism, Volume 41. Pages 374-84. Spivey, Ted. R. Oscar Wilde and the disaster of Symbolism, The Journey Beyond Tragedy A Study of Myth and Modern Fiction. Copyright 1980, Board of Regents of the adduce of Florida, University Presses of Florida, 1980. Twentieth Century Criticism, Volume 41. Pages 501-2. Summers, Claude J. In Such Surrender in that respect May Be Gain Oscar Wilde and the Beginnings of Gay Fiction, Gay Fiction Wilde to Stonewall, Studies in Male Homosexual Literacy Tradition, Continuum, 1990. Excerpted in Twentieth Century Criticism, Volume 41. Pages 398-401. Wilde, Oscar. The Picture of Dorian Gray. Oxford University Press, New York. 1994