Magic naturalism was first used in 1925 by a German critic Franz Roh. The term defines an artistic genre blend both put-onal and realistic elements. Most writers using magic realism set their stories in a ?normal? (realistic) earth where magical events occur. genus genus Sula, Toni Morrison?s second novel, is not exclusively addicted to the magic realism style. However it is a good fiction of the writing evolution of the author. Sula seems to be an introduction to Morrison?s work on magic realism. The following study for build up first analyze the magic realistic aspect of authoritative ?scenes? in the novel and the feminist implication present through with(predicate) the characters.
Disruption of time and space is a magic realism strategy. In Sula, we can study the disruption of space give thanks to the location of the Bottom, the fictive community upon a hill. Its spatial mooring supposes a high ranked neighborhood but its cook gives a negative idea of the community. Moreover existence on a hill, the Bottom appears to be closer to God. Thus, the people should be either more virtuous or more blithe but fin every(prenominal)y the black community of the Bottom is as tainted and rotten as its name predicted. The world place is somehow inverted.
The first element of magic is related to Sula?s return to the Bottom in 1937. She is ?accompanied by a plague of robins?.
The inhabitants of the Bottom notice them but hold in to live with them. They accept them mainly because they can blame Sula for it. This phenomenon is quite magic because robins are not naturally stick together. In other words they rarely live all together. They are even said to be aggressive animals when being threatened. Besides, Sula is once more related to death and wickedness when the robins are ?dying all around [them]?. The so-called...
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