The rime Musee Des Beaux Arts by W. H. Auden is a song about human poor and is best seen in condition when viewing the Fall of Icarus painting by Breughal.
The basic issue of the poem is a response to the tragedy of the death of Icarus delineate in the painting by Breughal. The opening life nigh Suffering, they were never wrong already sets the overall message of the poem: that suffering is all around us. The poem gives a native view of suffering and states that it is merely another part of our lives. It does this by juxtaposing images of tragedy and suffering with the ordinary events of everyday life and the loading created is a t angiotensin-converting enzyme of indifference towards individual tragedies of Humankind, in this causal agent of Icarus.
In the poem martyrdom and suffering are compared to ordinary events such as dogs go on with their doggy lives. The miraculous nascency at the start of the poem is juxtaposed with the death of Icarus at the end of the poem. Auden is basically stating that life still goes on and that suffering is an accepted part of our lives. This is correspond in the line In Breughals Icarus, for instance, how everything turns forth, quite leisurely from the disaster.
When viewing Breughals painting, the fall of Icarus is represented with a single flaying leg out of the sea. No one seems to notice Icarus. The ploughman is going on with his ploughing and the guard is occupied with his sheep. Icarus is placed in the bottom right hap corner of the painting, hardly noticeable. This relates back to the poem. In Breughels Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry, except for...
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