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Thursday, March 28, 2013

Popol Vuh

The Popol Vuh is a Quiché text that attempts to explain the creation and meaning of the universe. Tedlocks translation began with the acts of Mayan gods in a world in which at that place only exists the pooled water, only the calm sea and ended with the glide slope together of the three Masters of Ceremonies who founded the Quiché kingdom in the Guatemalan highlands: lords of the Cauecs, Greatho social functions, and the Lord Quichés. Origin eachy write in Mayan hieroglyphs, the Popul Vuh was later canned into the Roman script; despite the attempts of Spanish missionaries to destroy all copies of the sacred writing, original hieroglyphic manuscripts were still in use at the beginning of the eighteenth century.

The only surviving copy of the text in Quiché (in the Romanized script) was discovered by a Dominican friar named Francisco Ximénez. He not only copied the Quiché writing precisely also added a side-by-side Spanish translation. In the mid-nineteenth century, two translations were undertaken; the number one by an Austrian physician named Carl Scherzer in 1857, and the second by a French missionary named Etienne Brasseur de Bourbourg. The Ximénez text is now archived at the Newberry Library in Chicago.

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The merits of the text, of course, are that this is most likely the impendent that scholars will ever get to a text written by pre-Columbian American peoples. The irony, of course, is that the text may exhibition some signs of cross-culturation, both by other Central American peoples as well as by European Christians. in that location are numerous examples of creation myths in the Popol Vuh that mirror Christian concepts; the Quiché belief that the first incarnations of man were imperfect and needed to be destroyed is reminiscent of the Biblical stories of Noah and Lot. The appearance of the Plumed snake in the grass in the Popol Vuh has a likely connection with the Aztec deity Quetzalcoatl, suggesting the interconnection of peoples in Mesoamerica.

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